The creation of expressive forms in the strategy to combat violence against women

two studies according to Boltanski

Authors

DOI:

https://doi.org/10.22484/2177-5788.2024v50id5304

Keywords:

spectator´´'s imagination, politics of pity, particularization and universalism of expressive forms

Abstract

The aim of this work is to investigate spectator mobilization strategies for causes such as violence against women according to the work Distant Suffering by Luc Boltanski. The author studies how piety policies work and develops a formula for the creation of expressive forms, such as music, films, stories, to engage the spectator in a certain cause through imagination. Based on this we analyse two videos related to that topic. The first one was produced by UN Women in Brazil in partnership with Globo Network in 2020 and the second one was produced in the same year by the Santa Catarina Public Ministry. Thus, we seek to understand whether those videos attend to Boltanski formula and therefore can engage the spectator to the presented cause.

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Author Biography

Ana Elisa Viviani, Uniso

Graduado em História pela Universidade de São Paulo e feito mestrado em Ciências da Comunicação pela mesma universidade. Doutorei-me em Comunicação e Semiótica pela PUC-SP, com uma pesquisa que investiga as pinturas rupestres mineiras à luz da semiótica da cultura. Atualmente faço um estágio de pós-doutorado pela Universidade de Sorocaba.

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Published

2024-08-19

How to Cite

ELISA VIVIANI, Ana. The creation of expressive forms in the strategy to combat violence against women: two studies according to Boltanski. Revista de Estudos Universitários - REU, Sorocaba, SP, v. 50, p. e024003, 2024. DOI: 10.22484/2177-5788.2024v50id5304. Disponível em: https://periodicos.uniso.br/reu/article/view/5304. Acesso em: 1 sep. 2024.

Issue

Vol. 50 (2024)

Section

Artigos Livres

License

Copyright (c) 2024 Revista de Estudos Universitários - REU

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